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  • <autoplay speed=5></autoplay>“Adam smith demonstrates with mad chic & disconcerting ease his full vocal power...”

    — resmusica

  • "Adam Smith is the real revelation of this evening"

    — Bachtrack

  • "Lookout for a major new British tenor on the international scene"

    — Opera Now Magazine

  • "Adam Smith who played Cavaradossi... was the real winner of the evening"

    — Scherzo Editorial

  • "But the one who stole the applause was Adam Smith..."

    — Opera World

  • "Smith's opening piano high G was incredibly controlled"

    — Bachtrack

  • "Smith's incredible lyric power and vocal peaks blazed and burned with full-bodied richness..."

    — Opera Today

With a “solar timbre with perfectly held piercing high notes” (Resmusica) and hailed as “...valiant and homogeneous, bold in the risks he takes” (Forumopera), Adam Smith is known for his voice that “overflows with dramatic conviction and heroic impact” (Opera Now Magazine).

Recent standout roles include Don José in Carmen at the Royal Ballet and Opera, Cavaradossi in Tosca at the Staatsoper Hamburg and Roméo in Roméo et Juliette at Washington National Opera. 

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Radamès in Aida at Washington National Opera

Mr. Smith opens his 2025/26 season with performances as Radamès in Verdi’s Aida at Washington National Opera at the Kennedy Center. The tenor debuted the role last season in Rouen, where Res Musica commented, “tenor Adam Smith is no less convincing in the role of Radamès, which he assumes with bravery, courage and a certain dose of tenderness, beginning in Act I with a magnificent "  Celeste Aïda ", showing off his solar timbre with perfectly held piercing high notes.”

Photo: Scott Suchman

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